एवं परिभ्रमहतौजसमुन्नतांस- मानम्य तत्पृथुशिर:स्वधिरूढ आद्य: । तन्मूर्धरत्ननिकरस्पर्शातिताम्र- पादाम्बुजोऽखिलकलादिगुरुर्ननर्त ॥ २६ ॥
evaṁ paribhrama-hataujasam unnatāṁsam ānamya tat-pṛthu-śiraḥsv adhirūḍha ādyaḥ tan-mūrdha-ratna-nikara-sparśāti-tāmra- pādāmbujo ’khila-kalādi-gurur nanarta
- evam
- in this way
- paribhrama
- because of the Lord’s moving around him
- hata
- spoiled
- ojasam
- whose strength
- unnata
- raised high
- aṁsam
- whose shoulders
- ānamya
- making him bend down
- tat
- his
- pṛthu-śiraḥsu
- onto the broad heads
- adhirūḍhaḥ
- having climbed up
- ādyaḥ
- the ultimate origin of everything
- tat
- his
- mūrdha
- on the heads
- ratna-nikara
- the numerous jewels
- sparśa
- because of touching
- ati-tāmra
- very much reddened
- pāda-ambujaḥ
- whose lotus feet
- akhila-kalā
- of all arts
- ādi-guruḥ
- the original spiritual master
- nanarta
- began to dance
Having severely depleted the serpent’s strength with His relentless circling, Śrī Kṛṣṇa, the origin of everything, pushed down Kāliya’s raised shoulders and mounted his broad serpentine heads. Thus Lord Śrī Kṛṣṇa, the original master of all fine arts, began to dance, His lotus feet deeply reddened by the touch of the numerous jewels upon the serpent’s heads.